Showing posts with label classical realism. Show all posts
Showing posts with label classical realism. Show all posts

Tuesday, January 18, 2011

Artwork from 2009

During the 2008-2009 school year, I was painting in color for both still lifes and portraits. Three mornings a week, we would complete 3-4 day pencil drawings of figures. This post includes many of those works.


Figure Studies in Graphite:











Portrait and Figure Paintings from 2009:     

"Portrait of Will"
20x16 oil on linen
2009
Standing Female Nude
Oil on Linen
2009

Sunday, September 13, 2009

2008 Still Lifes


In her younger days, my mother loved to do needlework and created many beautiful objects that were lovingly given to her children and grandchildren. We all treasure these items above all of her other gifts. The painting below includes a pillow top that Mom was working on a few years ago. It was about that time that she was diagnosed with dementia. As her condition progressed, she simply was not able to complete the project. She asked me if I would take it and complete it for her, and of course I agreed. But I decided that before I worked on it, I wanted to use it in a painting. It is sort of my way of memorializing my mom. In this painting I have also included a very old thimble that belonged to my grandma, and an interesting copper pot that I found one lovely day while browsing through antique shops with my oldest daughter in Pennsylvania.

"Mom's Unfinished Needlework"
12x14 oil on linen
2008



Oil painting is my first love, but I also wanted to give pastels a try. The following pastel painting is my first endeavor. It was lots of fun and I will definitely try it again one of these days.

"Vases and Oranges"
16x10 pastel on sanded paper
2008




With my third painting of 2008, I wanted to go with a lighter background. I absolutely love red, so added the apple to add some punch to the composition.


"Apple, Books and Dutch Boy"
20x15 oil on linen
2008

2007 - Voltaire



"Voltaire"
17x14 oil on linen
2007

Prior to painting in color, all students at The Atelier must complete some black and white paintings of plaster casts. I chose to paint this cast of Voltaire, as I admired his writings and was drawn to his mischievous smile.

2008 Life studies

Each morning at The Atelier all students are required to draw or paint from live models. Some days we work on charcoal drawings which then lead to oil paintings, and some days we work on quicker pencil studies. The drawings below are some of the pencil studies that I completed in 2008.





Below is a series of photos showing the process that I used in order to complete my first black and white oil painting of a human figure. A pencil drawing was completed in 3 morning sessions. Then I completed 2 anatomy studies in order to gain a better understanding of all the bumps and bulges that make up the human body. Once the anatomy studies were completed, I drew the figure once more in charcoal. This drawing was then transferred to canvas. During each step of the process, any necessary corrections are being made. The oil painting is the final (and most fun) step in the process.













Saturday, September 12, 2009

1st year studies at The Atelier

After completing several charcoal drawings of plaster cast eyes, noses or ears, students progress to more complex plaster cast drawings in charcoal. This is a great time for learning about shapes, values and edges. No paintings are completed during our first year of study at The Atelier.
Charcoal drawing of a plaster cast hand and coin that I completed in 2007.


Here is a photo of a typical set up. My charcoal drawing is set up immediately next to the statue in order to see shadows and shapes accurately, using the 'sight-size' method. (2007).